Peter Straughan is a critically acclaimed screenwriter whose BAFTA award winning film, TINKER TAILOR SOLDIER SPY, featured an all-star cast including Gary Oldman, Colin Firth and Benedict Cumberbatch. He became a sought-after screenwriter when he adapted Jon Ronson’s book THE MEN WHO STARE AT GOATS for BBC Films; directed by Grant Heslov and starring George Clooney. Other screenplay credits include THE DEBT, directed by John Madden, starring Helen Mirren. Peter's films include those co-written with his late wife Bridget O’Connor: Working Title Films SIXTY SIX directed by Paul Weiland & MRS RATCLIFFE’S REVOLUTION. Peter reteamed with Jon Ronson on FRANK directed by Lenny Abrahamson, starring Michael Fassbender. Peter adapted the Hilary Mantel novel, WOLF HALL, a BAFTA award winning TV series, along with OUR BRAND IS CRISIS, which starred Sandra Bullock and was produced by George Clooney’s Smokehouse Pictures. Peter adapted Donna Tartt’s THE GOLDFINCH, directed by John Crowley.
Dan MacRae is Senior Vice President of Production and Development at Studiocanal, the leading European studio, financier and distributor. He oversees a slate of around 30 projects and is Executive Producer on a number of recent titles including The Secret Garden, A Boy Called Christmas and The Electrical Life of Louis Wain.
Prior to joining Studiocanal, he worked as a development executive at Working Title Films and Deputy Head of Development at the UK Film Council.
As an executive at Scottish Screen he ran a range of screenwriting and producing programmes and oversaw around 100 short films.
CREDITS INCLUDE: The Railway Children Return (2022); Yardie (2018); Early Man (2018); The Mercy (2018); Mindhorn (2016); The Take (2016); Macbeth (2015); Man Up (2015); '71 (2014)
International production executive with extensive overseas credentials and a proven track record of creating and monetizing business opportunities across cultures in a variety of small screen media.
Specialties: Primetime scripted television and OTT development, production and commissioning in the US Hispanic, Latin American, Spanish and Italian markets.
Kristen Barnett is the Head of Television at Lea Pictures. Prior to joining Bradley Cooper’s new production company she worked in Original Series at Topic Studios, Scripted Television at eOne/Hasbro, and Original Programming at Starz/Lionsgate.
Kristen’s experience in development and production spans broadly across the television, film, and podcast landscape. She's worked on both scripted and alternative projects made for broadcast, cable, premium, and streaming networks.
Lea Pictures has a First-Look Deal with Apple+ for Television, a First-Look Deal with Netflix for Film and a slate podcast deal with iHeart Radio. She works across all of the Lea Pictures production departments while primarily focusing on Television. Kristen has a deep love for storytelling and a passion for bringing original characters to the screen. She currently resides in Los Angeles but was born and raised in Memphis, TN.
Julien Leroux was born in Paris France in 1980. After completing a double master of European business and management, he started his career in 2004 working for TV France International, the association of French TV international distributors then joined France Televisions as sales manager.
In December 2005 he joined AB International Distribution (now Mediawan Rights) as SVP of Sales and Acquisitions working on shows such as Mafiosa, Desperate Parents or Dragon Ball. In 2011 he joined Newen Group and actively participated in its international expansion and sale to TF1 Group in 2015.
He ran the international distribution arm of Newen until 2017 working on international hit series such as Spiral, Witnesses or Versailles before moving to London to launch the UK activities of the group (https://variety.com/2017/tv/finance/frances-newen-group-launches-55-million-investment-fundfor-u-k-drama-1202426761 ). In May 2018 he joins Canadian TV studio Cineflix to lead their scripted activities across production, financing and distribution launching hit shows such as CBC’s Coroner, TV3 Russia’s An Ordinary Woman or Scandi political drama The Minister.
In June 2020 it was announced Apple was acquiring the first season of TEHRAN a new Israeli spy drama series co-written by Moshe Zonder (Fauda) which Julien Leroux executive produced. The series launched in late June in Israel to record breaking ratings and later in September worldwide on AppleTV+ and quickly became one of their most watched series.
In January 2021 Julien Leroux announced the launched of London based new production company Paper Entertainment which will focus on “exciting, thrilling, crazy and emotional stories” from all over the world in addition of producing the next seasons of TEHRAN for Apple. https://www.hollywoodreporter.com/news/tehran-producer-julien-leroux-launches-paperentertainmentJulien Leroux’s credits include:
Olivia Mascheroni (Agent, Verve Talent & Literary Agency)
Olivia joined the Verve Ventures team in 2022, where she packages and sells film content of all genres. Olivia previously acted as the Director of Development and Production at The Black List, where she brought in and co-produced the first film under The Black List banner, COME AS YOU ARE. She also co-produced BREAKING NEWS IN YUBA COUNTY. Before The Black List, Olivia was at Blumhouse Productions. She served in several roles over her time there, including Executive of New Media, Manager of Acquisitions at Blumhouse Tilt, Chief of Staff for the company and Creative Coordinator in the Feature Film Department. She joined Blumhouse from CAA where she worked for two years in both the Television and Motion Picture Literary Departments
Verve Ventures is the independent film finance and sales team at Verve. Providing full-service consulting from script to screen, the Ventures group’s main mission is to help take high-quality, creator-driven cinema from script to screen—and everywhere in between.
Hailing from Athens, Greece, Pavlina splits her time between producing independent features and television in the US and abroad. Her TV credits include AMERICAN GIGOLO (Showtime), THE FIRST LADY (Showtime), THE ALIENIST: ANGEL OF DARKNESS (TNT/HBO Max), THE SOCIETY (Netflix), NOW APOCALYPSE (Starz), SHUT EYE (HULU), THE LAST TYCOON (Amazon/Sony); TYRANT (FX); HOMELAND (Showtime); THE SPOILS OF BABYLON (IFC) and OUTCAST (CINEMAX.)
Her film credits include PHOENIX FORGOTTEN (2017), BURN YOUR MAPS (Toronto 2016), WHITE BIRD IN A BLIZZARD (2014), THE PYRAMID (2014), MANIAC (Cannes 2013), KABOOM (Cannes/Sundance 2011), LITTLE BIRDS (Sundance 2011), FLY AWAY (SXSW 2011), PERFECTION, NEW GUY, FRANKIE GO BOOM (SXSW), and last but not least SASSY PANTS (SBFF), directed by Coley Sohn. She is a Yale graduate.
Professor of Screen and Television writing, USC. Credits include: Mad Men, Frasier, Cheers
Professor of Screenwriting and Directing, USC. Credits include: Dawn of War, Nails, The Notebook
“The Owl was the perfect hub to meet industry professionals, learn the craft and strategize a career path that can only lead to great things.”
“It was an absolute privilege to spend time and learn from mentors who
are leaders in their fields and participants who are so talented in a
city with some of the oldest stories in the world. A truly enriching
and unforgettable experience!”
“I just wanted to thank you both personally for The Owl workshop last
week - it was the most amazing experience, and so well run, and I
hope you both got to take some time off to relax afterwards. I've had
to help organize similar events before, and I know how much work goes
into everything, and it was very much appreciated.”
“It was such a valuable experience and I feel like I won't absorb it
all until I go back over my notes in the coming weeks. I'm looking
forward to it!”
“Great mentors, very interesting panels and lovely people.
The mix of producers, agents and writers was great and very inspiring.
It helped me to develop my script not only from an artistic point of
view, but also taking into account the needs of the industry.
Theworkshop also provided a good insight into the US system and the
Greek film industry.”